“Both up and down.”
The Macroprosopus symbol provides an intuitive guide to how what is above is also like below. It can also be used as an intuitive guide in creating the Garden of Eden, the hidden matrix that is guarded by the Flaming Sword and Cherub, or the rabbinic “tree of life.” Ultimately, reflections or mirrors are at the very heart of the Illuminatus system.
This article will provide some reflections on the “reflections” and mirrors used by the Illuminatus and within the Isisian Codes.
Mirrors and reflections
We have already discussed the nature of IXXI, or “9-11”, and how this is used as a fundamental code for what is considered to be “The Garden of Eden”. 9-11, or IXXI, provides us with the pattern of formation, but provides little in the way of the archetypal encoding of the various cipher wheels (sephira) and relevant paths. In the Macroprosopus diagram, for example, we can see that the IXXI is encoded in the image and that there is a division of the letters along the horizontal center and therefore forms a conceptual “mirror” or “reflection”.
Also, what is floating in the sky, such as in the middle of the Star of David and the full Tau or letter T, is reflected in the water.
This “mirror”, or component of reflection, is necessary if we want to find the archetypal base of the Philosopher’s Stone or, more exactly, the “Garden of Eden”. IXXI allows us to form only the appropriate geometric matrix. However, it is not enough to simply secure the actual geometric matrix; rather, since the geometric matrix serves as a roadmap of the human psyche in Jung’s classical thought, it becomes critical and necessary to correctly place all the symbols within the various cipher wheels (sephira), as well as to correctly number the symbols. channels between the various cipher wheels or sephira.
Even after you’ve done all of this, you need to go back to work and do all the “math” checks, so to speak. My original matrix for the Garden of Eden, for example, had a bug that was not resolved for almost 2 years. Therefore, solving the archetypal or hidden framework requires a lot of work and double checking before publication to ensure that the intuited answers are really accurate and correct.
All of this is precisely the same as the inherent nature of the Construct, and the way that immersion in the Construct creates conditions by which it is easy to be fooled.
Mirrors, or reflections, play a fundamental role in the formation of reality. For example, when we see the Moon, which is a symbol of the Occult, it is stronger than the Sun because its light can still shine during the day when even the Sun reigns supreme. What this implies is that the Moon can reflect light from the Sun and shine even when the Sun is also shining and when the Sun is not. Conceptually, the Moon, as a symbol of the Occult, has a light that is stronger than the Sun because the Occult is using the Sun and the Sun’s reflection alike. You are not using one exclusively on top of another, instead you are using direct sunlight, but more importantly, reflected light from the Sun.
For the dark side of the Occult (the path to the left), its reflection is that of the CLOUD. Inside the word CLOUD is the anagrammatic game of the word HIDDEN. Since T = D, we just encrypt CLOUT and CLOUD and OCULT (hidden). In this way, the Occult acts as a covering or a seal that blocks the Sun and Moon, or it can pass smoothly and not affect the light of the Sun or Moon at all, or it can partially obscure the Sun and Moon. . Even stronger is the anagrammatic play of the word HIDDEN to form the word CLOUD. The word CLOUD shows a reflection of STRONG and yet the clouds are silent, so we are reminded that the force of the “cloud”, or the Occult, is even stronger, since it can erase the light of the Sun at its highest point. .
From a conceptual point of view, we simply recognize that our existence here on Earth is subject to many influences and occlusive forces, of which the “clouds” act as a beneficial or harmful force depending on the force and duration of the influence. . Clouds, or “the hidden,” can change the colors of the light reflected by the Moon as it reflects light from the Sun, while the Moon changes phase and reflects increasingly larger or diminishing shadows of light.
It is only the path to the left that seeks to completely obscure, even when we recognize that all things are obscured in some way.
If we imply that being loud is so “overwhelming” what others can hear, then we have a reflection of the power of the Occult in this world and therefore we must pay attention to the force and learn from its reflections, because in the end, it is only the reflections that we can see, and not the actual workings, as the words and deeds were set in place.
Mirrors as a hidden staple
The “Macroprosopus” image is designed to hint at the use of reflections and mirrors as part of the primary conceptual basis and that these reflections and uses of them must be thoroughly understood if a perception of the conceptual is to be gained.
All “gods” participate in the essence of Osiris, and Osiris, like the letter A, manifests as himself in a “material form” similar to the mythology of Christianity. Osiris as the letter A provides us with the conceptual tools to begin to narrate the fabrication of “reality”, hidden or otherwise. Pi is “the Word”. This means that there is a division and separation in which the 1s are men and the 0s are women, that each has its own unique and separate existence, but that the 1 and the 0 are not mutually exclusive of the other, in that the 0, female, is created by the 1 of the male. This is basic “intercourse” or “sexual union”, or “the letter X”.
X = SEX, however, the X is a reflection of the woman on the man. This reflection provides an intuitive insight to understand the nature of Geb and Nut of the Egyptians. Geb and Nut are nothing more than an artistic representation of the letter X, of the sun entering the womb of the Earth or in the sky.
However, all of this is “technically” or “fundamentally” linked to Pi.
If you look at design, and in this we mean the design of the human body, because it is also designed around the idea of Pi, or the “Word”, the visual shape of the vagina shows a correlational “1”. when “closed”, while the male phallus shape shows a correlational “0” when viewed from “the tip”. It is through the cardinal conceptual twist of two-dimensional design that we can arrive at the proper perspective of three-dimensional reality in which, in this case, the “1s” as men correctly appear to the mind as “men” and the “0s.” they are conceptually appearing in the mind as correctly designed as “women.”
In this way we can begin the process of conceptualizing inherent design and begin to understand what is “true” and what is “false”, what is the “mirror” and what is “current”.
Another way of looking at this is to use occult reference material, which today is unnecessarily and intentionally confusing and “mystical.” For example, the Sepher Yetzirah, or “Book of Formation,” reads as follows:
“These twenty-two letters, which are the foundation of all things, he arranged as on a sphere with two hundred and thirty-one gates, and the sphere can rotate forward or backward, either for better or for worse; from good comes true pleasure, of evil nothing but torment “. – In this example, the sphere can be rotated one way or another.
Imagine it as a ball sitting on the ground. I write the number 6 and then I turn the ball 180 degrees. You see my 6 as a 9. Then I write a number 9 on the ball and turn it 180 degrees again. Now you have two 6s or two 9s, depending on how you see them AND assuming you knew how to see numbers “this way or that”. If I say that the number is a 6, and I write the number as a “6”, and you tell me that the number is a “6”, and therefore we both agree that the number is a 6, then what being discussed is “true” and therefore “good”.
However, if I write the number 6 and you tell me that the number is a “6” and yet I deliberately mislead and say that the number is a 9, then I have reversed the number and therefore “wicked”, or a “lie,” he continues. Since there are no additional context points for you to see reality as it exists at the time, you have no way of really knowing if the number is a 6 or if it is a 9.
Now expand this concept to multiples of glyphs (letters, etc.) and spin the multiples of glyphs as if you were on a sphere while sitting in the center of the sphere while immersed in total emptiness. This is how complex and complicated everything can be.
The Universe is incredibly complex in its simplicity.
Context as a critical component
Therefore, the “context” is essential to understand the precision of what is being seen in relation to a Letter and, especially, in terms of how one sees and narrates the hidden insignia and mythologies. For example, in the above view of Macroprosopus as shown above, there is a “T” reflected in the water and yet there is an “inverted T” floating in the air, and therefore reflected in the water is the letter Derivative T. from the reverse T in the air.
This point of view is “true” from a hidden sense, but why? Therefore, the principle of “know yourself” means that you must focus on certain truths and determine them for yourself, even if guidance is provided along the way.
In other words, it is not enough to understand that what is “above” is “as below”: it is essential that a person understands inverting the image above and analyzing it as if it were inverted or vice versa. Therefore, ideas and images must be rotated “this way” and “that”, that is, rotated 180 degrees or flipped 180 degrees, rotated 45 degrees and flipped 180 degrees, read forward, but interpreted backwards, center out or in various combinations from the top
How “God” manifests cannot be so easily controlled by simplistic formulations, and arriving at deliberate and intentional codes cannot be assumed to be a simple and straightforward process. In the end, we are limited to the tools available to us through the constraints of design (material existence), so a wide range of tools using a wide range of interconnections is absolutely necessary to achieve an understanding of the whole.
When Plutarch says that Typhon tears the holy writings to pieces and scatters them to the wind, this is a very broad and accurate description, so we must see the Construct as a giant puzzle, which, like Humpty Dumpty, we are trying to rebuild. to get back together again so that we can overcome ignorance and delusion and create for ourselves a world and a society where our spiritual foundation is rooted in a form of reason that is impervious to ignorance.
The main point to remember is that the Illuminatus use and utilize a wide range of reflections and mirrors in their system, so if you are going to penetrate their philosophical system (a system that belongs to all of us), it is critical that the idea of Mirrors and reflections fully understood.